While studying communications and political science at Texas Tech in Lubbock, Josh Abbott and his Phi Delta Theta comrades frequently went to the Blue Light Live, a downtown club on Buddy Holly Avenue that’s been a linchpin for such hard-scrabble acts as Cross Canadian Ragweed, Wade Bowen and Golden Globe nominee Ryan Bingham.
During one Blue Light visit with a couple of friends around 2004, Abbott saw the Randy Rogers Band for the first time. He would never be the same.
“It was packed,” he remembers. “I watched them play and how they moved on the stage, how they sang their songs, and how they connected with the audience. I literally looked at my friend-and this is the story she tells to this day to her friends-and I said, ‘I think I can do that.’ She was like, ‘What are you talkin’ about ?’ I said, ‘I think I can be that guy on stage, singing and writing songs that people connect with. I think that I can do that.’ She was like, ‘Well, go do it.’ That night or the next day, I started writing country songs.”
After doing a few acoustic open-mic nights at the Blue Light, Abbott and three frat buddies formed a complete band and started playing the club, where they were greeted by a full house their first night.
Naturally, the early set lists were dominated by cover songs, but Abbott quickly realized any long-term success required that they establish their identity through original material.
“If we play a bunch of covers, we’re gonna impress the crowd, but we’re not gonna impress the band,” he surmises. “I want other bands to be talking about us, so I just wrote a bunch of originals and we started practicing ‘em.”
Abbott wrote the bulk of the songs in April and May 2009, shortly after he’d gone through a rocky period in a relationship. It was personally difficult, but creatively inspiring, and the feelings he encountered during that period were central to She’s Like Texas, which he enlisted Eli Young Band associate Erik Herbst to co-produce the album in Denton.
The band quickly evolved. Fiddler Preston Wait-who trained at South Plains College in Levelland, where the alumni include Lee Ann Womack, Natalie Maines, songwriter-guitarist Jedd Hughes and Ricochet’s Heath Wright-was hired to play on the band’s first demo and soon joined the lineup permanently. When the original rhythm section dropped out, Wait brought in fellow South Plains students Daniel Almodova and Ed Villanueva, and JAB took on a more aggressive sound.
Abbott doesn’t just talk about his concepts; he invests in them. Known to finance many productions himself, he’s given away thousands EPs, and he’s been known to toss freebies-coozies, T-shirts, ball caps, etc.-into the crowd during his shows.
“The way I see it, it will come back,” Abbott says of his investments. “It might be in dollars, it might be in fans’ loyalty, it might just be that they remember you for giving them something for nothing. You may not be able to trace the way in which that comes back, but it will.”
With She’s Like Texas, it’s paid off in the form of a sturdy, emotional album that sets up the do-it-yourself Josh Abbott Band as the Lonestar State’s next authentic breakout. It might take years to analyze the depth of the sound, but it takes only minutes-maybe just seconds-to recognize the powerful uniqueness it adds to Texas music, and to the whole of country music. (from http://www.joshabbottband.com/band.htm)
Don’t miss them August 25th at 9:30pm on the Budweiser Stage.